The DVD of Darling Berlin’s latest darling “Beat Beat Heart” by director and screenwriter Luise Brinkmann has hit the stores on October 2017. Grab a copy of this extraordinary drama/comedy starring Lana Cooper and Saskia Vester.

The highly acclaimed movie (at Filmfest Munich, Max-Ophüls-Preis, Slamdance and others) tells the story of Kerstin (Lana Cooper), who is daydreaming her way out of a broken heart, when suddenly her mother, Charlotte (Saskia Vester), rings at her door, needing a place to stay. For mom has accidentally broken up with her common-law spouse and does not know where else to go now. Both women handle their yearning completely differently, when Kerstin‛s housemate convinces Charlotte to start dating men, via app. So, mom brings different men to the house, while Kerstin‛s daydreams are consistently interrupted by the reality that love has become a hopeless place for modern age dreamers.

Comments:
“Refreshing and lively – cinema for the summer.” — TV Spielfilm
“This movie comes very close to the generation that lives between Tinder as a promise of freedom and the great dream of the small family.” — Rolling Stone
“Bit by bit, almost everybody finds happiness in ‘Beat Beat Heart’, because despite all stingers and little impudences, the movie embraces its characters very kindly and believes in the healing power of love.” — Die Zeit
“Again, another movie gem by the Berlin independents.” — ZITTY Berlin
“A feel-good movie about lovesickness, which is, in times of dating apps, still inspired by the faith in romantic love.” — Süddeutsche Zeitung

Buy a copy on Amazon: https://www.amazon.de/gp/product/B0725B5XCC
Find more information on “Beat Beat Heart” here: http://www.darlingberlin.de/beat-beat-heart.html and http://beatbeatheart.com

The “Filmfest München” (English: “Filmfest Munich”) was established in 1983 and is a principal summer film festival with over 80,000 admissions every year. Over 2,000 film industry professionals from around the world and over 500 members of the press are accredited annually. “Filmfest München” screens over 200 feature films, documentaries and TV movies each year.

For more information about the event, please visit: Filmfest München 2016

Director Jakob Lass tells his story in rapidly changing images that drag the viewer in the characters’ life in an almost hallucinatory way, and he doesn’t shy away from humor, too. „Love Steaks“ is a nice example for the fact that many movies are created at the editing suite, as the editing work is the most inspiring time for many directors. If the material that was created in the making of the film is so rich and colorful that it inspires the editor to new highs, movies are created, of such density and suggestive force that the audience forgets the cinema surrounding. „Love Steaks“ is “not only a movie but a gift to the audience which is simply brimming over with energy, enthusiasm, colors and love, and shows once again what cinema is able to achieve”, the Saarbrücken jury explains its decision.

„Love Steaks“ has won all four advancement awards at the Filmfest Munich for the first time in history, namely “Best Movie”, “Best Production”, “Best Theatrical Performance” and “Best Script”, it was awarded the Max-Ophüls-Preis at the Saarbrücken Film Festival in 2014 and it caused a sensation at several film festivals around the world (Slamdance, Karlovy Vary, Montréal et al.). For the label Darling Berlin and as the distributor, daredo is more than happy for the team winning all this prizes! Finally, „Love Steaks“ was also nominated for the German Filmpreis 2014.

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Some comments from the press about „Love Steaks“:

“Love Steaks“ is characterized by a nice schizophrenia of spontaneity and calculation, that testifies much more of a maverick approach to making movies than many other German newcomer hits have, that are also dealing with exploring the lifeworlds of Twenty- and Thirtysomethings. Just because the movie doesn’t follow the Hipster idea of stylizing the Zeitgeist but rather is dragging its style out of the Zeitgeist.” (Süddeutsche Zeitung)

“The hidden but relentless triumphal march of “Love Steaks“, the wittiest German comedy of the season, reminds of what happened to „Oh Boy“ two years ago, and to „Kohlhass“ last summer: finally, we have again popular movies that were not made from the willingness to compromise but from uncompromisingness.” (Franfurter Rundschau)

“Love Steaks“ opens the windows wide and admits reality to come in. And not this German pseudo-realism in movies, somewhere in between commercials and TV series, that is often so frustrating, but a virtually overwhelming here and now.” (Spiegel)

“Cinema as such cannot be more unpredictable and exciting!” (Cinema Magazine)

“Ingeniously improvised – this movie hits you right between the eyes!” (TV Spielfilm Magazine)

“„Love Steaks“ impressively shows that the Nouvelle Berlin Vague is definitely something to reckon with in the future.” (Zitty Magazine, Berlin)

“He and his team call it Fogma – the self-given rules that forbid artificial elements such as studio shoots but give room to spontaneity in order to let the ‘flow’ emerge. Which works perfectly here. To see how Lara and Clemens attract and repel each other is comical, touching and moving at the same time, it comprises an explosive force rarely to be found in movies.” (AZ, Munich)

Spot: Love Steaks, More information: Love Steaks, amazon: Love Steaks

love-steaks-release.jpgThe German independent hit “Love Steaks” – one of the six nominees for the German Film Prize – has just started in cinemas over Austria and entered the Austrian movie charts at #18 right after the first weekend. Together with its partner Polyfilm GmbH, daredo media has brought the movie that was produced and directed by students of Germany’s most respected film university HFF Konrad Wolf to the screens of Austria. The movie was awarded with many prizes, for instance at the Filmfest München, at Karlovy Vary and Rotterdam, it has won the Camerimage and Slamdance Festival prize and the Max Ophüls Prize in Saarbrücken.

„We were sure that ‘Love Steaks’ would be a great success also in Austria, but we haven’t expected the movie to enter the charts at such a high position“, daredo media’s product manager Andreas Stumpf said. „This is also great news for Switzerland where ‘Love Steaks’ will be released in late August.“The web portal of Austria’s leading magazine for economics, money and politics has announced the theatrical release of our flagship movie “Love Steaks” in Austria: With „Love Steaks“ the makers tell a love story in which two ways of life collide: “do good” versus “live hard”. Clemens and Lara are having a tough time living out those principles within their traditionally hierarchical workplace. Yet that’s how they meet, love and challenge one another. Eventually “doing good” will do harm. And “living it hard” will leave you weak. A fight for love evolves. The filmmakers call the new concept behind the movie ‘Fogma’, which was inspired by Lars von Trier’s Dogma rules but represents completely different aspects of filmmaking. To fit in the Fogma method, the two actors worked with the hotel staff even when not shooting. By not using written dialogue they could actually participate in real procedures. The actors followed a skeleton script, but constantly had to react to the real world around them. For six weeks the hotel employees very strongly related to the story, shaped it and pushed the scenes to a new intensity.

Full announcement (in German): www.format.at; Trailer: Love Steaks

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Germany’s most important film prize, LOLA, has announced the nominees for this year’s award ceremony on May, 9th 2014 – and „Love Steaks“ is on the list, among commercial productions like „Fack Ju Göthe“ or „Finsterworld“. We are very proud to be part of this top list of this season’s German movie productions. The LOLA is Germany’s most prestigious and includes prize money of nearly 3 million Euros.With „Love Steaks“ we tell a love story in which two ways of life collide: “do good” versus “live hard”. Clemens and Lara are having a tough time living out those principles within their traditionally hierarchical workplace. Yet that’s how they meet, love and challenge one another. Eventually “doing good” will do harm. And “living it hard” will leave you weak. A fight for love evolves. To fit in the Fogma method, the two actors worked with the hotel staff even when not shooting. By not using written dialogue we could actually participate in real procedures. The actors followed a skeleton script, but constantly had to react to the real world around them. For six weeks the hotel employees very strongly related to our story, shaped it and pushed the scenes to a new intensity.

More information: Deutscher Filmpreis

digedo-saarbrucken-140122.jpgBoth our much-noticed initial project “Love Steaks” by talented director Jakob Lass as well as the presumably next movie that we are presenting via our new Darling Berlin label, “Familienfieber” (“Family Fever”), directed by Nico Sommer who is known from his current successful movie SILVI, are featured in the competition at the Saarbrücken Film Festival “Max-Ophüls-Preis”!

Despite being produced with just a minimum budget but with a maximum of lifeblood, “Love Steaks” has already gained high attention in the business by winning all four advancement awards at the Filmfest Munich for the first time in history, namely “Best Movie”, “Best Production”, “Best Theatrical Performance” und “Best Script”, and by having caused a sensation at several film festivals around the world (Slamdance, Karlovy Vary, Montréal et al.). In January 2014, the movie was listed in the pre-selection for the German Filmpreis and is thus qualified for the nomination process. It gets a viewing slot at the Berlinale 2014 will make a run at the LOLA.

“Familienfieber” is an experimental German movie that actually has its international premiere at the prestigious Saarbrücken Film Festival. However, the movie is not finished yet – “Familienfieber” is to become an interactive film: Additionally to the already existing project, a follow-up shooting will be realized and alternative story threads are to be produced. This means that the viewer – be it at the cinema, on BluRay/DVD or in the web (via VOD) – has, at certain points in the movie, the possibility to decide how the story should continue. The viewer is able to actively choose between the options A and B. Thus, we want to link the congenial topic of the movie with the self-reflection of the viewer, because every decision he makes for the film plot is actually a decision for himself. Hence, the movie reaches an emotional idealization that, in this intensive way, could never be created with a conventional production.

More information about: Saarbrücken Film Festival “Max-Ophüls-Preis”